I have no problem with prestissimo
Or with abbreviato
Even if I prefer adagio or andante
And the development of themes across movements
Symphonic parts fitting together
Moving subtly
But snippets and sound-bites
Mouth-sized morsels for mice
Rather than the gaping caves slung under many people's noses
Seem anymore to be the composition
And a trust of others' curation
Rather than rambling through and finding
Things unlooked-for and rewarding
It is not bad
I will not say it is
But it is not for me
I will play in four or five
Instead of one or two
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